Wednesday, August 31, 2011

A Relic of Early Modernism in Midtown Manhattan

This post also appears on Fashion Herald.

Recently, I went shopping with co-worker and 34th Street fashion guru Tricia, and she noticed the new Steve Madden store, along with a few guys talking in front of it who did not look like tourists, casual passersby, or purchasers of the 5-inch heels Madden is known for. (That last one is an unfair assumption. I have for sure seen many a gent rock a heel way better than I can in this city.) We accosted them, and after explaining what we do for the district, found out that one was the architect for the store. He dragged us into the street saying that we were right this minute across from one of the most beautiful buildings in the city. This one -- 22 West 34th Street.

Photo: A. Kumer, 34SP
I had noticed the building before, but never thought much past why is there would so much wall and so little window. Also, it's backed up against the Empire State Building on 34th Street, so it isn't as if there's nothing else to look at around there. He had such a glow in his eyes as he described the unusual modernness of this design for the time it was built, that I can only imagine he sees it like this instead.

Photo: NYPL digital collection

Designed by architecture firm De Young, Moscowitz & Rosenberg, and built in 1934, it's known in my trusty AIA Guide to New York City, and the above photo, as the Spear & Company building. Originally established in Pittsburgh in 1843, Spear's was a furniture store known for selling knockoffs of modern-style pieces. In addition to a whole lot of facade wall, the building was equipped with air conditioning, indirect lighting, and an auditorium, and cost about $300,000 to build.

In a 1938 New Yorker Skyline column, Lewis Mumford (also cited in Christopher Gray's 1995 Streetscape column) accused the building's designers of practicing fake functional with that small bank of windows facing east, and covered by the Spear's sign, which was yellow neon on a blue background.

By the early 1990s, many of the windows were painted over, Spears was long gone, and signage on the building looked like this:

Photo: N. Mintz, 34SP























A few years later, and a lot of work on behalf of the 34th Street Partnership, the wall sign is gone, though there is still a remnant of a vertical sign and masked windows.

Photo: 34SP
Now thankfully, (scroll all the way up for a refresher), the windows are unobstructed by vertical signage and paint. Mumford would be at least a bit more pleased.

Additional citation:
The Architectural Guidebook to New York City, by Francis Morrone and James Isla, p. 140

Tuesday, August 23, 2011

One for the Ladies: The Josephine Shaw Lowell Memorial Fountain

This post also appears on the Bryant Park blog.

One of the park's oldest and most beautiful monuments is also the first public city monument dedicated to a woman -- the Josephine Shaw Lowell Memorial Fountain. Designed by architect, landscape designer, and painter Charles Adams Platt, the fountain was originally intended for Corlear's Hook Park in the Lower East Side -- where Shaw Lowell had done the majority of her work -- but was instead erected in Bryant park on the east side, near the William Cullen Bryant monument, and behind the New York Public Library.

The Lowell fountain seen here in it's first location at the east end of the park, just behind the NYPL, 1922. Photo: NYC Transit Museum























This pink granite fountain, with a 32-foot diameter base, and 13-foot diameter upper basin mounted on a classical pedestal was dedicated on May 21, 1912. As part of the 1934 Moses renovation of the park it was moved to its present location, at the west side of the park, near Sixth Avenue.

Bryant Park, seen from the elevated Sixth Avenue train facing east, 1936. Postcard: BPC






















Josephine Shaw Lowell's life was devoted to helping those in need. (Oh, the digital age -- you can even "like" her on facebook!) Shortly after she married Charles Russel Shaw, she joined her husband on the front lines of the American Civil War in Virginia, tending to sick and wounded soldiers, and later, was the first woman appointed a Commissioner to the New York State Board of Charities.

The Shaw Lowell fountain, the day of Bryant Park's re-opening after the Moses renovation, September 14, 1934. Photo: New York City Parks Photo Archive
Embedded in the bluestone at the fountain's base, is a commemorative plaque.

Photo: Jacob Bielecki, BPC
THIS FOUNTAIN COMMEMORATES
JOSEPHINE SHAW LOWELL
1843-1905
WIFE FOR ONE YEAR OF A PATRIOT SOLDIER
WIDOW AT TWENTY ONE
SERVANT OF NEW YORK STATE AND CITY IN THEIR PUBLIC CHARITIES
SINCERE AND CANDID COURAGEOUS AND TENDER
BRINGING HELP AND HOPE TO THE FAINTING
INSPIRING OTHERS TO CONSECRATED LABOR

Ninety-nine years after its dedication, the Josephine Shaw Lowell fountain continues to amaze and inspire New Yorkers (watch carefully at the 1:30 mark), local news stations, and numerous park visitors, especially during colder months when the fountain is winterized and looks like this. In warmer moths it also serves as an ad hoc wishing well. Ever wonder what happens with the coins?

Thursday, August 4, 2011

100 Years of NYC Newsstands

They haven't changed as much as you'd think. Let's take a look. . . .

Early 1900s - Heins and LaFarge-designed subway stations for the elevated lines

























 1913 - "News From Other Cities"























1937 - Eighth Avenue newsstand, photo by Arthur Rothstein, Library of Congress























1960 - street piles


































1989 - open























1989 - closed























1991 - Porn curtain along the top . . .






















For more, check out Rachel Barrett's 2008 NYC newsstand project. And, if this inspires you to become a newsstand operator, the process starts here.