The Lost Generation Occupies Some City Green

This post also appears on the Bryant Park blog.

At this time of year, the life-sized bronze Gertrude Stein statue is somewhat buried behind the holiday shops in Bryant Park. She is one of ten made from a cast by friend and sculptor Jo Davidson in Paris, in 1922, and possibly the only one displayed outdoors year-round. Davidson had a long list of commissioned busts, including Charlie Chaplin, Hellen Keller, and Frank Sinatra. Many of them can be seen here. The photo below, taken by friend and surrealist photographer Man Ray, shows Davidson working in his Paris studio, with his subject Gertrude Stein looking on.

Photo: Man Ray, 1922, Getty Museum

Stein was connected to the ex-pat art and literary scene of the times, coining the term "lost generation," later used by Hemingway to refer to that generation of authors: "You are all a lost generation," epigraph, The Sun Also Rises. Though most well-known for her writing and personal relationships, Stein, along with several members of her family, amassed an impressive art  collection, on display at the Grand Palais now until mid-January.Time to use up those miles!

The Bryant Park statue was donated by Dr. Maury Leibovitz, psychologist and art dealer, and unveiled in a small ceremony on November 5, 1992. In addition to the sculpture, Mr. Leibovitz owned an estate formerly belonging to Jo Davidson. Davidson has another Bryant Park connection -- for a time, he worked out of a studio at the Bryant Park Studios, on the corner of 40th Street and Sixth Avenue. So it's fitting that she found a home in the park.

Photo: BPC, Marco Castro

As for the other nine statues, I tracked down a few of them: one at The Met (they also have a beautiful Picasso portrait of her), supposedly one each at The Whitney and The Carnegie Museum of Art, and possibly one at The Smithsonian (it was on view last Spring, but could have been on loan).
  
Other Sources:
**The Parks Department has a monuments catalog available online. You can read about most every statue you've ever seen in the park system until your eyes bleed.
**Now you can settle all of those arguments about when the Post Modern ends and Contemporary begins with this handy chart.

Horace Greeley Turns 200!

This is somewhat of a shameless plug for an upcoming event that I helped organize. It's a bicentennial, complete with a mini historical reenactment of sorts. Should be fun. My Berkeley roots, and Jr. High goth history are both evident in the cast of characters (Karl Marx and Edgar Allen Poe make appearances). I'll be there too, most likely without the black lipstick and communist flag.

Anyway, here is the post and event info. It also appears in the Bryant Park blog.

Local historians might be aware that Horace Greeley  --  newspaper publisher, abolitionist, and presidential candidate (he lost to Ulysses S. Grant) – turns 200 this Thursday, February 3rd.  Greeley  is the namesake of Greeley Square Park in the heart of the 34^th Street District, a few blocks south of Bryant Park. What's his connection to Bryant Park?  In 1851, while traveling in London, Greeley attended, and was blown away by, the Great Exhibit of 1851, housed in the Crystal Palace at Hyde Park. Amazed by the breadth and content of the work, when he returned to the states, he met with friend, entertainer, and promoter P.T. Barnum and New York City officials to form a committee to bring a similar exhibition to the City. 

The Crystal Palace, also known as the Exhibition of the Industry of All Nations, was situated next to the Croton Reservoir (now the location of the New York Public Library), where Bryant Park is today.  You can read more about the Crystal Palace and the Croton Reservoir,  here.

Interior of the NYC Crystal Palace exhibit, opened on July 14, 1853

To celebrate Greeley's birthday, our sister BID, the 34^th Street Partnership, has planned a fun and informative program celebrating his life, with a musical performance from the Horace Greeley High School Madrigal Choir, and a re-dedication of the Horace Greeley monument by NYC Parks Commissioner Adrian Benepe. A number of Horace Greeley’s friends and collaborators will be in attendance, including Edgar Allen Poe, Margaret Fuller, Abraham Lincoln, and Karl Marx, among others – played by members of the Horace Greeley Drama Department – to reminisce Greeley’s numerous accomplishments and contributions to New York journalism. Also in attendance, will be a number of Greeley’s living descendants, introduced by “Horace Greeley” himself.

Early 1900s postcard showing the Greeley monument in Greeley Square Park

This special celebration begins at 11:00am and is free and open to the public. Hot chocolate will be provided by ’wichcraft.   

Event:  Happy 200th Birthday Horace Greeley
Date:   February 3, 2011
Time:  11:00 a.m.
Place:  Greeley Square Park (Between 32nd and 33rd Streets; Broadway and 6th Avenue)

NYC Monuments: William Earle Dodge

This post also appears on the Bryant Park blog.

Sometimes it seems as if New York’s monuments and statues move about the city's boroughs as much as its citizens do. Often, they will be relocated from one public space to another, because of construction, the whims of city officials, or convenience. The stories of monument preservation, placement, and movement from one park or square to another provide insight to the nature of the public places where they stand.

One in particular, William Earle Dodge, who currently resides midway through Bryant Park's 42^nd Street allée, was first dedicated in Herald Square Park, located within one of our sister business improvement districts, the 34^th Street Partnership.



Overhead view of Herald Square, showing the Dodge monument, Herald building, and 6th Avenue elevated train, c. late 1930s. Photo: NYC Parks Department



William Earle Dodge was best known as a founder of the successful copper and metals company Phelps Dodge & Co. He also helped start the Young Men's Christian Association (YMCA), and staunchly supported the Prohibition Movement. He served as President of the National Temperance Society from 1865 to 1883, and was instrumental in the publication of over 2,000 supporting books, pamphlets, and posters.



Pedestrian view showing the Dodge monument in Herald Square, c. late 1800s. Postcard: Bryant Park Corporation / 34th Street Partnership

When he died, friends formed a commemorative committee to erect a statue in his honor. This statue was sculpted by John Quincy Ward, and placed on a base designed by Richard Morris Hunt. Among Hunt’s many accomplishments, which include founding the American Institute of Architects (AIA), he also designed the base for the Statue of Liberty, as well as the façade and Great Hall of the Metropolitan Museum of Art.

Lady Liberty. Postcard: NYPL Digital Collection

Hunt’s base for the Dodge monument featured a water fountain and small lion’s head, a nod to Dodge’s commitment to temperance. Literature buffs too, will also recognize the inherent symbolism in the lion’s head - commonly used to suggest stateliness, leadership, and reverence.

Pedestrian view of the Dodge monument, 1914. Photo: NYC Transit Museum

Dedicated on October 22, 1885, the statue presided there, in the company of the Herald Building, until Herald Square was refurbished in 1940.

One year later, in 1941, Dodge was moved to the Northeast corner of Bryant Park, and placed on a granite pedestal. The original Hunt pedestal was removed from Herald Square; its current whereabouts are unknown.

Partial view of a 1939 architectural plan detailing the granite pedestal for the Dodge statue once moved to Bryant Park. Map: NYC Parks Department

Dodge remained in the northeast corner of the park, in close proximity to another publisher and philanthropist, William Cullen Bryant, until the 1992 renovation of the park.

Profile view of Dodge on the upper terrace in Bryant Park, 1983. Note the absence of the Bryant Park Cafe. Photo: Bryant Park Corporation / 34th Street Partnership



Rear view of Dodge on the upper terrace, nine years before his (and the park's) restoration. Photo: Bryant Park Corporation / 34th Street partnership



At that point, Dodge underwent a $23,000 renovation, and was moved again in the park to his present location, along the 42^nd Street allée, where the Bryant Park Reading Room is located during the warmer months, and currently, the Holiday Shops.



Washington Irving in Bryant Park

This post also appears on the Bryant Park blog.  

Currently, the Bryant Park grounds are home to several monuments that pay homage to artists, writers, and leaders. Some, such as the statue memorializing William Earle Dodge in the Reading Room, originally stood in other parks and courtyards throughout the city before making their way to Bryant Park. (Dodge’s original home was Herald Square.) Others, such as a bust of American author Washington Irving, resided first in the park, and have since been moved elsewhere.

My interest was first piqued when I found (and bought) this postcard at the Brooklyn Flea. In case you can't read the back, it says "Same old story" and nothing else. A perfect non sequitur circa 1914.


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In the late 1800s to early 1900s, a large bronze bust of Washington Irving, mounted on a granite pedestal, stood in the south side of Bryant Park. The author of “Sleepy Hollow” and many other works, Irving was one of the first American writers to gain international acclaim. 

The statue was donated to the City of New York in 1885 by Joseph Weiner, a German physician and admirer of Irving’s. Sculpted by artist Friedrich Beers, the bust was originally intended for placement in Central Park. Upon completion some members of the NYC Art Committee declared it a success, while others insisted that it wasn’t flattering enough to Irving. The Commission decided to put the bust in Bryant Park, because Irving had served on the park’s advisory council at one point.

It remained in the park for many years, and possibly up until the 1934 renovation. Some say that the statue was moved before that, lost, and then later recovered in a storage shed under the Williamsburg Bridge.

In 1935, the Irving bust was moved to Washington Irving High School (go bulldogs!), where it remains today.

Look here for more details on the history of this and many other NYC statues, and of course, here, for more information about NYC parks, including the other Washington Irving bust, located in Brooklyn's Prospect Park.

Facades to Pedestals

In the middle of midtown shopping and tourist chaos, at 34th Street, where Broadway and 6th Avenue meet, is a small park maintained by one of my employers, the 34th Street Partnership, called Herald Square. This small triangle of land was named after the New York Herald, a daily newspaper established in 1835 by James Gordon Bennett, Sr. (1795-1872). Known primarily for its sensationalistic coverage of crime and scandal, as well as a massive national circulation, the Herald set up its headquarters at the north end of this small green space in 1894, in a two story arcaded building designed by architecture firm McKim, Mead, and White.

postcard from around 1898 showing the Herald building, as well as the Dodge monument

The ornate building featured several bronze owls mounted along the façade as well as statues of Minerva and two bell-ringing blacksmiths, nicknamed “Stuff and Guff” or “Gog and Magog.”

At this time, the James Earle Dodge monument, now in Bryant Park, occupied a stately position in front of the Herald building. More on him later . . .

Minerva on top of the Herald, and later, as part of the James Gordon Bennett monument

In 1918, the Herald moved its offices to 42nd street, and three years later, the statues were removed from the building’s façade. They went into the possession of William Dewart, then proprietor of the New York Sun. Years later, in 1940, when Herald Square underwent a massive renovation, the statues were given to the city on permanent loan and placed in a Milford granite pedestal in Herald Square Park. The pedestal, designed by architect Aymar Emburry II, along with the statues from the Herald building make up a monument to James Gordon Bennett. The dedication ceremony was held on November 19, 1940.

Before and After contrast