House of Mansions to Bankers' Trust

This post also appears on the Bryant park blog.
 
In 1855, developer George Higgins bought a plot of land at Fifth Avenue and 42nd Street, across the street from the Croton Distributing Reservoir. He hired American architect Alexander J. Davis to design a new building, and the result was this 11 unit luxury residential complex with crenelated parapets (like a castle!). Completed in 1856 and advertised as the House of Mansions, the housing complex promised residents views of "the water of the Croton, like an artificial pool, or lake . . . from the upper floors."  

Fifth Avenue looking south from 42nd Street. Image [1880]: NYPL or LOC

Just a few years earlier, the nearby Crystal Palace and Latting Observatory attracted visitors from all over, and helped establish midtown Manhattan as a tourist destination. Though the area was far from urban at the time, Higgins no doubt noticed the gradual migration of wealthy Manhattanites north along Fifth Avenue, and hoped to cash in on it. 

As history blogger Daytonian in Manhattan writes, Higgins' plan did not work -- Fifth Avenue at 42nd Street was still considered too rural for most New Yorkers. (The  Samuel P. "Sasparilla" Townsend residence had only recently been built at 34th and Fifth, and that's eight blocks south.) The property was bought and sold a few more times, and eventually the Rutgers Female Institute (later, Rutgers Female College) relocated here. A formal dedication ceremony was held on October 24, 1860. The school soon outgrew this location as well, and the property passed through a few more owners.

Fifth Avenue looking north from 41st Street, [1883].

By 1884 the Pottier & Stymus Manufacturing Company had purchased the land, demolished the structures, and built a new building on the site. The New York Times called it "extensive and elegant," and described the building as having a brownstone frontage on Fifth Avenue as well as a side entrance on 42nd Street. (I think it's the building in the photo below with the wall sign that reads "American Safe Deposit Bank.")

Fifth Avenue, looking north toward 42nd Street [1900-1910]. Image: LOC

By this time the landscape of Fifth Avenue had changed from rural to commercial, with a brief residential heydey in between. The area surrounding 34th Street by now had transformed from residential to retail, and many of the brownstones near 42nd Street were rapidly being torn down and replaced with commercial buildings and warehouses. 

The next ten years brought more changes and taller buildings to Fifth Avenue. In 1915 the Oceanic Investment Company announced the construction of a new building to be named after the building's primary tenant, the Astor Trust Company. The Astor Trust Company was set to move from their existing offices on Fifth Avenue and 36th Street and into this building, occupying a 21-year lease upon the building's completion in 1917.

Astor Trust Company building, NE corner of Fifth Ave. and 42nd Street, 1917. Image: LOC

The building's architect was Montague Flagg, also known for designing the Thomas Cook building at 565 Fifth Avenue, which is no longer. The Astor Trust Company building was eventually renamed the Bankers' Trust building and still stands, though it's no longer the tallest on the block, and there isn't a crenelated parapet to be found. 

Other Sources:
The Fifth Avenue Association. Fifty Years on Fifth, 1907-1957.
Lockwood, Charles. Manhattan Moves Uptown: An Illustrated History.

A Tower Among Skyscrapers

This post also appears on the Bryant Park blog.

In the late 1960s the city began mounting art exhibitions in outdoor public spaces throughout Manhattan. Bryant Park's central location made it the perfect space for exhibiting large sculptures, and in the following years, several were displayed on the expansive lawn. One of the first was Kenneth Snelson's Needle Tower, as seen in the photo below with Sixth Avenue in the background. (This view is almost unrecognizable now, because the buildings that appear to be along Sixth now have larger buildings in front of them; the Bush Tower looks fantastic.)

Needle Tower in Bryant Park, 1967. Photo: Parks Department

Snelson's 60' x 20' tower was accompanied by three smaller pieces, and received positive feedback from the public as well as critics. Needle Tower is a "tensegrity" work -- the word is a combination of the terms tension and structural integrity. Compressed parts (in this case, bars or tubes) are attached not to one another, but to a network of cables. The tension of the cables dictates the structural shape and stability of the whole object. The term supposedly was coined by Buckminster Fuller, but Snelson argues that he came up with the underlying principle.  

Watch a computer animation of Needle Tower assembling itself along with several other examples of tensegrity on Snelson's youtube channel.

Snelson with several smaller models including Needle Tower (center). 

Today, the tower stands outside the Hirshhorn Gallery in Washington DC.

Photo: AK

New York City's commitment to public art continues today with the Art in the Parks Program.

Read more about public art exhibited in Bryant Park, including works by Mel Chin, George Rickey,  Alexander Calder, Kate Gilmore, and Sheryl Oring.